![]()
'My latest work is a series of installations which are expanded still further under the title Magnum Opus. It is a series the origins of which lie in alchemy, the quest for eternal life, gold, and the transformation of matter or persons into the purest, most unadulterated and valuable form. The alchemical processes begin by making things black, then red and, finally, gold. A number of elements play a central role in these works: the table serves as an altar, sacrificial block, laboratory, dining table and meeting-place; the chair functions as a throne, as a place to sit for a solitary old fisherman, as a dining-room chair or as a surgeon's examination chair. The form, dimensions and number dictate the role and significance of these meeting-places. The trees serve as a reference to the symbolic meeting-place where anything can happen, and the wood as magic primeval forests with the sacred tree as the ultimate symbol of eternal life. No matter how dead a branch may be, it accommodates worms, grubs, beetles and other creepy-crawlies. Nothing is lost, nothing wasted. Life is one big parasitic whole.'